Theresa Poulton is a hard-edged, abstract geometric painter who makes works which fluctuate between the historical tradition of canvas painting and ‘painting in the expanded field’.
It is no wonder why we are instantly attracted to the work of Cassandra C. Jones. Her bodies of work are composed of borrowed and collected imagery that has been deconstructed and constructed in numerous compositions that allow the viewer an opportunity to experience the work on multiple levels. Jones presents the viewer with her own iconographic style where further inspection often leads to delightful surprises, but more so down a path of investigation into our on common cultural habits.
Unfamiliar pairings of materials, vivid pattern with borrowed and reissued design esthetics Ettore Sottsass set out to redefine what was thought of as “Popular Design” by going against everything that was popular at the time (1981-1988). Dennis Zanone of Memphis, Tennessee shares his love and passion for the now dismantled movement and let’s us peer into his home and world-class collection.
Typically, when one thinks of wood, the mind does not wander into the realm of sensual, curvaceous lines – certainly not an element for bending and molding. This is not the case when exploring the world of the bentwood chair. Here we have a brief survey of this chair’s history and future – and plenty of photos.
Sturdy, architectural, near limitless possibilities in design – explore the concept of the wire chair from its mid 20th century mass-production to its future conceptual designs. The chair has captured the imagination of engineering minds throughout time – here we take a brief tour of where this object made entirely out of metal wire gained popularity, their present and their future.
This story begins in the early 1950’s with a healthy dose of American grit. Like so many millennials today, Pearsall decided to leave a stagnate position in the field of his professional training (architecture) and try his own thing.